HBO/Cinemax Guide - November, 1981

As mentioned in a previous post, I recently secured some well-kept programming guides for HBO and Cinemax.  Here are some scanned highlights from the November, 1981 issue.  Enjoy!

Don't forget, 1981 audiences, you can enjoy HBO 24-hours a day on weekends!

"The Legend Of The Lone Ranger"

A couple years back, I posted about my wanting to re-watch THE LEGEND OF THE LONE RANGER, the 1981 film starring Klinton Spilsbury in the title role. After purchasing a couple of VHS copies, I tried and tried to watch the film again. The pan & scan-ness of the presentation and my knowing that the film was shot and intended for Panavision 2.35, kept me from digging in completely. Fast forward to early '08 when I came across a widescreen DVD transfer from the fine folks at Flesh Wound Video.

From a collector-to-collector DVD-R basis, FWV clearly leads the pack with their beautiful, painstakingly restored presentations and attractive packaging. In the case of LONE RANGER, the disc contains a correctly framed anamorphic widescreen print with two great bonus features: the film's original theatrical trailer and an extensive photo gallery. Very nice.

After finally taking the time to give it another shot (it's been at least twenty years since my last viewing), my opinion of this film hasn't changed all that much. I enjoyed it back then and, with some minor criticisms, I still do.

By far, this is not a perfect film, but by no means is it as bad as some have criticized. For the most part, it has everything going for it. Stunning cinematography by Laszlo Kovacs, great locations, yet another memorable score by the always impressive John Barry and despite being dubbed by another actor, Klinton Spilsbury's turn as the masked avenger does work. The film also benefits greatly from a few stand-out performances, mainly Christopher Lloyd putting true evil into his Butch Cavendish characterization (an icy-ness absent from previous portrayals) and Michael Horse's interpretation of Tonto, in which Horse not only expounds the dignity and integrity of the role, but also supports Spilsbury's RANGER to the point that his performance does not falter.

THE LEGEND pertains to how John Reid became the masked man and the vengeful mission that drives his hero-like persona. After the origin and events leading up to his mission are presented (within the film's first half), the film begins to fall apart and feels quite rushed when it should not be. At the moment when Spilsbury first turns to the camera in full "LR get-up" to the familiar tune of the William Tell overture, the momentum seems lost. And, the events that transpire from that point, during Reid's quest for justice, never fully satisfy.

The inclusion of the overture unbalances the mood a bit. Sure it's identifiable to the character, but it would have been nice to get a new theme composed by Barry (not unlike the revisionistic interpretations of John Williams in SUPERMAN: THE MOVIE or Jerry Goldsmith in STAR TREK: THE MOTION PICTURE). I get the "return to yesteryear" vibe that the film tries hard to perpetuate, but it clearly does not compliment the mounting, slow burn style the film has already established. Imagine if the central theme music of the 1960's BATMAN series had been incorporated into Danny Elfman's score for Tim Burton's BATMAN and you'll get the idea. I presume this has to do with Jack Wrather's hold on the character from the original television series to this feature film version, but cross-breeding an epic western film with the conventional trappings of a Saturday afternoon serial doesn't even out.

So, there's my main gripe. A great build-up with little pay-off. This should have been at least a two-hour film, rather than one that runs 98 minutes. The first half takes it's time and deserves a respectful, fleshed-out continuation of the storyline. Also, James Keach's dubbing of Spilsbury's vocals is glaringly obvious and while it is done well, it's still hard to get past this fact, making it difficult to embrace the character in a relatable fashion.

Drawbacks aside, overall, I found the film enjoyable and it brought back a lot of good memories. With so much potential, THE LEGEND OF THE LONE RANGER is difficult to resist and worthy of a second look.

The Legend of Klinton Spilsbury

Whatever happened to that masked man, anyhow? Klinton Spilsbury had the leading role in 1981's THE LEGEND OF THE LONE RANGER and ironically, 24 years later (despite false reports) that film remains his lone film credit. Who was he? How did he get the role? Was his name not "household" enough to catch on? And more importantly, did he actually ride off into the sunset as his character was about to do at the end of the film? Now, that's commitment, perhaps the strongest case of method acting ever known!

As I remember the film, it was a hit... then again, I was 4 years old and knew no better. After seeing the film in the theater, I was hooked and had to have the inevitable memorabilia... action figures, View-Master reels, Lone Ranger disguise, et cetera. So, my perception was a bit skewed. I assumed the movie was a hit due to the merchandise surrounding it's release (this was 1981, a different era... merchandising wasn't as extreme as it is now). Alas, the film made a very small impact at the box office and also for the expectations of it's legacy.

Back to our leading star...
So, why didn't Klinton Spilsbury go on to make another film? Did the film's lack of success with both critics and audiences destroy his aspirations to continue as an actor? Or, was it the dubbing of his entire performance by another actor (supposedly James Keach)? What did Klinton Spilsbury sound like? Was he truly an actor? Maybe he was a complete nobody discovered by the film's producers or a model who couldn't act chosen only for his look. Was the dubbing a result of negative test screenings or was it an agreement from the beginning that his performance would be dubbed? Whatever the reason, Spilsbury got his share of bad reviews, not to mention a Raspberry award for "worst new star" of that year. Certainly, all of this could drive a person to reconsider their prospects and, perhaps, leave the business entirely.

As for the film, I haven't seen it in it's entirety since it's initial release. Caught fragments here and there on HBO as a kid, but never paid notice to the film's troubled history. So, my quest is to watch the film again for the first time, with a renewed sense as to whether the film works or not. Does it truly deserve all the bad publicity it has gotten throughout the years? It's certain that my childhood fondness for the film will take hold and I will have a biased opinion, but then, the critics of 1981 did not grow up with the film or own any of the beloved tie-in material as I did. Granted, they probably all grew up with the Clayton Moore incarnation on television and had a tough time seeing anyone else in the role. I can understand that completely. Moore was and is the standard for the role, along with Jay Silverheels as the Ranger's faithful sidekick, Tonto. On the other hand, THE LEGEND OF THE LONE RANGER was a product of the same era as Richard Donner's big screen SUPERMAN and I'm sure all those invested had hoped the end result would mirror that same level of greatness. George Reeves was the standard for Superman, but then, so was Christopher Reeve.

Having gone through all the possible scenarios, there's only one thing left for me to do (short of tracking down Spilsbury and interrogating him profusely) and that is to take in a viewing of THE LEGEND OF THE LONE RANGER in the form the late Lord Grade doth presented to us.

TO BE CONTINUED...

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