Showing posts with label Chevy Chase. Show all posts
Showing posts with label Chevy Chase. Show all posts

Tuesday, July 13, 2010

"Knock, knock..."






















I recently purchased a slew of HBO/Cinemax guides (ranging from 1981 to 1985) and, just last night, was perusing through these little slices of nostalgia.  More on the guides in a later post, but I've been on this high all day, thinking about how things used to be, how each film was regarded as an event, although not superficial.  And, whenever I think of early-to-mid era HBO, I think of John G. Avildsen's comedic gem, NEIGHBORS.  A classic and a shame that more people don't regard it as such.  Also a shame that it has yet to see a resurgence on DVD.  Odd, considering that it is John Belushi's final work and you'd think that would be merit enough.

By the time NEIGHBORS came out, I already idolized Belushi, much in the same way that I idolized his fellow SNL alums, Dan Aykroyd, Chevy Chase and Bill Murray, even though I hadn't seen... er, uh... wasn't yet permitted to see much of their work.  (I was almost five years of age, at the time.)  With Belushi, I had only seen CONTINENTAL DIVIDE, since it was PG and on cable.  I watched it several times and thought it was hysterical, despite the fact that it wasn't all that funny.  Clearly, I didn't know any better.  My only other exposure, at that point, was the first Blues Brothers album, "Briefcase Full Of Blues," that my father owned, which I begged him to play constantly.  (Of course, my folks didn't trust me with the "real" record player... you know, the one in the family room and not the 45-friendly Sesame Street model that I had in my bedroom.) 

When Belushi passed away, I clearly remember being both saddened and confused.  Up until that point, I hadn't experienced anyone's death, nevermind a celebrity.  I couldn't believe such a thing was possible.  One of the reasons I found it hard to believe, was that NEIGHBORS had been released not long before and the memory of it's publicity was fresh in my mind.  "Nah, can't be.  He's still making movies," I thought.

Anyhow, the following TV spot really creeped me out (as well as the two posters for the film), even though it shouldn't have. But, then, anything remotely related to TWILIGHT ZONE creeped me out. Oh, well. Here's the spot already...



A comic nightmare.  Ah, I love it!

While searching for that promo, I came across an appearance Belushi and Aykroyd did to promote the film on THE TODAY SHOW...



Nice dig by Belushi on Gene Shalit's "hairstyle".  Also of note, the project in development that they're discussing is SPIES LIKE US, which was later made in 1985 with Chevy Chase in Belushi's role and John Landis directing (as was originally intended).

Subsequently, here's another interview clip, this time it's Chevy Chase on THE TOMORROW SHOW with Tom Snyder.  Significant because Chase takes a shot at Rex Reed for taking a shot at Belushi in his review of NEIGHBORS...



Great dig on Reed's "performance" in MYRA BRECKINRIDGE!

P.S.
Piss on Shalit for questioning Steve Martin's version of PENNIES FROM HEAVEN. That film is brilliant.

Wednesday, March 31, 2010

Sorta feels like '86



So, I just saw HOT TUB TIME MACHINE, which I thought would be fun and it is. But... while they're spot on in some respects, there are far too many inaccuracies here for a time-traveling comedy. I know, I should let this stuff slide a bit and if I pick and prod too much, I might not enjoy it.

But, it's a bit distracting when there's a poster for RAMBO III on the wall in '86, or characters from that era referencing 21 JUMP STREET. Especially annoying when you consider that, in some instances, royalty fees could have been avoided had the filmmakers done their research. (i.e. Paying for the inclusion of "I Just Died In Your Arms" by The Cutting Crew, a 1987 song that is heard playing on an '86-era radio.)



There's more mistakes, but I can't remember or perhaps didn't notice them. Not a huge deal, but it's a bit lazy and it seems to be a constant issue with period films. (AMERICAN GRAFFITI had a couple post 1962 songs on it's soundtrack.) The worst or, I should say, best example of this is AUSTIN POWERS: GOLDMEMBER. A film which bases itself in 1975 shouldn't include a Viagra joke from anyone who isn't privy to the future. Wait, the inconsistent honor really should go to BEOWULF with Christopher Lambert. Sure, it's a fantasy film, but it amazes me how many times I've had to point out to viewers that PA systems and jacket zippers were actually quite uncommon in the middle ages. Oy.

I don't get it. With HOT TUB TIME MACHINE, if it's not inaccuracy, it's missed opportunity. How can you pay homage to one John Cusack film, SIXTEEN CANDLES, and completely miss the boat on a nod to ...BETTER OFF DEAD? After all, this is a ski resort. I guess they didn't get the K-12 memo? Or, since this is an MGM/UA film, why not reference the most obvious '80s sex-on-the-slopes comedy, HOT DOG... THE MOVIE, which MGM/UA already owns? Double oy.



Aside from all that, while it may not be epic or ground-breaking, HOT TUB TIME MACHINE is a fun concept which makes for a fun ride. Besides, any film starring both Chevy Chase and Crispin Glover can't be all bad!


"Hello, 1988? We were wondering if you had any posters to help dress our 1986 set with..."


For added fun, check out these online games based on the film:
WHACK-A-DOUCHE
NICK'S STRIP QUIZ
SOUND BOARD
(Adult content. Age verification required.)